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Feature Products

Latex Blend & Glaze Decorative Painting Liquid

A semi-translucent glazing and blending medium used to create faux finishes and decorative painting techniques. Mixes perfectly with interior latex paint, universal tints, or artist water colorants. Creates a nonyellowing finish that is washable and durable. Spreads and brushes easily and sets slowly for easy wiping and blending.  May be used on virtually all interior surfaces other than floors and on exterior surfaces not exposed to severe weathering. Clean up with soap and water.


Quart $ 11.29
 

Special Effects Stippling and Pouncing Brush.
Bestt Liebco No. 34337
Economical, lightweight block stippler with unique wood handle.
SKU: 770781  
$33.69


more specialty brushes


Oil glaze method

Oil based paint color -eggshell sheen
Drop Cloths
Painters tape
2 disposable paint roller trays
3 - 2.5 quart buckets (2 liter)
Paintmanufacture
Oil glaze coat
Universal tinters
Mineral Spirits
Oil varnish or polyurethane
rags
Pounce brush
Brushes
(3 to 5 inch)
Disposable gloves
Respirator
Stir sticks

 

More techniques
Color washing
Glazing techniques 
Rag rolling 
Sponging
Marbleizing
Wood graining 
Stippling
Striee glazing
Dragging techniques 
Pouncing techniques
   
Style archives
Preparation of surfaces
Know your materials

 




Classic Parchment
color recipe.
Available only at the artSparx Color Palette!


Find out
how to use the proper paint sheen in your home.

 
 
 
 

For walls, furniture, and objects

Pouncing, the same technique as stippling, is a term typically used in referring to techniques such as pattern transfers, animal hide finishes, such as faux goatskin, and color blending and softening techniques.

Pounce brush: You can buy special commercially made pounce brushesThey tend to be expensive, so it is important to constantly clean these brushes during use to prolong their use and to protect your investment. To create your own, inexpensive pounce brushes, follow the simple procedure by clicking here.

An eggshell sheen is recommended for all surfaces being treated with all decorative finishes produced by the Negative method of glaze application.

It is recommended that two individuals work in tandem to produce this finish.

The method that follows is designed to create a soft subtle decorative rag effect, ideally suited for most environments.

Preparing the surface

Step 1: Remove all nails and repair any damaged or cracked areas. Prime as needed. Refer to the artsparx basic preparation resource for tips and techniques.

Step 2: For wall surfaces, tape off all baseboard edges, ceiling edge, trim and doorframes. Remove all electrical and light switch cover plates. For trim, doors and window frames, isolate moldings, doors and trim by taping off wall surfaces and surrounding areas. Cover furniture and floor areas with drop cloths.

Base colors and mixing your glaze

Step 3: Determine the overall color value of the room or surface being treated. Choose an eggshell base color of your choice that is approximately two values lighter than the overall color value you would like to achieve.  For oil-based paints allow to fully dry (24 hrs).

Step 4: Mix the secondary, pounce color. In a bucket create a color combination that is a value or two darker than the base color. Glaze coat is mixed as a concentrated color, then diluted to the proper fluidity needed for the glazing process. As a general rule it is better to mix too much glaze color than not enough. It is very difficult to match the custom color once you have started glazing a room. For most rooms, one quart of Paintmanufacture oil based glazing liquid will be sufficient. Using universal tinters, add color slowly, mixing thoroughly until desired color is achieved. Add 1/8 cup varnish or polyurethane to add durability to the glaze. It may also be helpful to add small amounts of mineral spirits to facilitate mixing. This will be your ‘master glaze’. You can experiment in a low visibility area of the surface being treated. Adjust color to the ‘master glaze’ to your liking, wiping clean your test area after each test application.

Step 5: Pounce brush - Use a commercially purchased pounce (stipple) brush or create your own inexpensive pounce brushes.

Step 6: Wear disposable gloves. Place a portion of prepared glaze color in a 2.5 qt. bucket. Add mineral spirits and dilute to proper consistency. Experiment. In the other bucket saturate a rag with mineral spirits.

WARNING BEWARE! It is important to use caution with solvents. Always use appropriate protective gear on all exposed body areas, especially the hands and eyes. Always work in a well-ventilated room. Do NOT work near heat sources, and NEVER smoke while working, as many solvents are flammable.


When glazing, always work from top to bottom. If you start at the bottom and work upward, any drips or spills occurring can damage already treated lower portion finish.

Creating the pounce texture

Step 7: Wear protective gloves. Use the rag damp with mineral spirits and a clean 3 to 5 inch brush for applying your color glaze. Starting at the top of the wall, one individual should use the damp rag and wipe over surface. Work in one area at a time, moving methodically forward over wall surface.

Glazing application diagram for wall surfaces


Apply glaze in irregular sections.
This insures a random overall appearance and helps diminish potential 'burn' lines (glaze build up from section to section). See glazing methods for more information.

 


wetting the wall with sponge or rag

Saturating the surface first allows the glaze to go on fluidly and evenly.


applying the glaze

The second individual should take the brush, dipped in the glaze, and brush over the dampened area of wall to spread glaze. Work evenly over area for full coverage. Make sure not to leave any untreated areas. Soften glaze color working in a criss-cross manner with another brush until relative smoothness is achieved. Work quickly and conscientiously, keeping exposed edges dampened with mineral spirits.


pouncing the glaze

Step 8: Using the pounce brush, begin the pounce process by hitting surface directly on with bottom of the brush, holding the brush perpendicular to the surface. Use a firm hand and continually move your wrist to vary pattern being created. This will remove the freshly applied glaze from the surface, revealing the base color and producing a spotty or sandy texture. It is best to go over the surface loosely once, then return and begin to refine the pattern with your second pass. 


keep brush clean

Regularly wipe brush dry with a clean rag to remove excess glaze and to ensure a fresh pounce pattern. Work evenly over surface.

If glaze is too fluid and continually “sags” or runs, allow to set momentarily then return and work at glaze with a dry brush until smooth. Be aware that oil-based glazes set quickly.


fine tuning the finish

Step 9: Move to next area and repeat. Do not stop until entire surface has been treated. Do not put glaze on previous edge but rather apply within 1 inch or so and soften into previous edge with your pounce brush or another dry brush.

At corners apply glaze to within ˝ to 1 inch of edge and with a dry brush, work into corner, then soften, smooth and pounce with a smaller, single brush. Use light, gentle movements

Applying a protective varnish coat

Step 10: An oil-based varnish, such as oil varnish , may be applied after pounced surfaces have dried completely (24 hrs.) for protection. For wall surfaces it is recommended to use Paintmanufacture low-luster finish.

Step 11: Clean up with mineral spirits.

Step 12: Retain some of the master glaze for future touch ups in a covered glass container. Dispose of remaining glazes properly.

Important Tip - How to fix drips and spills
If wet glaze gets onto an area that has already been finished and has begun to set, it may dissolve the previous finish. Simply blot area with a dry rag to remove excess. Any attempt to repair area before completely dry may result in a mess that is virtually irreparable. Small areas are manageable. Correcting large areas may require removing all the paint and reapplying it from scratch.

Small area repair: Once completely dry (24 hrs.) fresh glaze may be touched in with an artists brush until desired results are achieved.

Large area repair: Treat before drying is complete.  If a large area of glaze is affected and begins to burn away, or dissolve, the removal of the entire glazed surface may be required. To do this, dampen a rag with mineral spirits and wipe surface until clean, using multiple rags if necessary.

Alternatively, you may allow wall to dry completely (24 hrs.), then repaint base coat and begin again

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